Dramatic Interpretation & Humorous Interpretation

Through the vehicle of solo performance, the goal of this interpretative event is to re-create the intellectual, emotional, and artistic embodiment of a work of literature, or to “bring the literature to life.” Selections may be taken from one-character monologues, narratives, or scenes with multiple characters. Non-original work from prose, plays, poetry, or orations, is appropriate, and its title and author must be stated. The use of media scripts is not allowed. While limited singing and dancing are permitted, this is not a vocal or dance recital, and any singing or dancing should be purposeful and motivated by the literature. A previous year’s material used in whole or in part is disqualified. The interpreter is allowed 150 original words for introduction, transitions, and explanation. Props, costumes and audio/visual aids are not allowed. The only differentiation between Dramatic Interpretation and Humorous Interpretation is that the latter is humorous in nature, where Dramatic Interpretation is serious in nature.

NCFCA Maximum Speech Time in Competition: 10 minutes

Duo Interpretation

Through the vehicle of duo performance, the goal of this interpretive event is to re-create the intellectual, emotional, and artistic embodiment of a work of literature, and to “bring the literature to life.” Selections may be taken from narratives or scenes with multiple characters and may be humorous or dramatic. Non-original pieces of work from prose, plays, or poetry is appropriate, but media scripts are not allowed. While limited singing and dancing are permitted, this is not a vocal or dance recital, and any singing or dancing should be purposeful and motivated by the literature. The interpreters are allowed a maximum of 150 combined original words for introduction, transitions, and explanation. The two speakers will maintain balanced participation within the piece and are not permitted to look at or touch each other. They should retain an off-stage focus in their conversation with each other. Any previous year’s material used in whole or in part is disqualified. Props, costumes, or audio/visual aids are not allowed.

NCFCA Maximum Speech Time in Competition – 10 minutes

Open Interpretation

Open interpretation provides an unrestricted opportunity for a student to creatively explore and develop the intellectual, emotional, and artistic embodiment of any type of literature he or she chooses. Selections may include original work, unpublished work by others, or traditional published material. Any genre is acceptable including but not limited to prose, poetry, storytelling, historical speeches, historical sermons, and thematic selections; however, media transcriptions are not allowed. The title and author must be stated in the speech. While limited singing and dancing are permitted, this is not a vocal or dance recital, and any singing or dancing should be purposeful and motivated by the literature. Any previous year’s material used in whole or in part is disqualified. Props, costumes and audio/visual aids are not allowed.

NCFCA Maximum Speech Time in Competition: 10 minutes